black african woman
I believe in me, in my view of the world. I believe in my responsibility for my own destiny, guilt for my own sins, merit for my own good deeds, determination of my own life. I don’t believe in miracles, I believe in hard work.
Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night’s sleep, and will be able to eat breakfast, and doesn’t hear her husband’s ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren’s will be. But we learn to live in that love.
Jonathan Safran Foer, Everything Is Illuminated (via bookoasis)
The most beautiful people we have known are those who have known defeat, known suffering, known struggle, known loss, and have found their way out of the depths. These persons have an appreciation, a sensitivity, and an understanding of life that fills them with compassion, gentleness, and a deep loving concern. Beautiful people do not just happen.
Elisabeth Kübler-Ross (via salveo)
Unless one is wealthy there is no use in being a charming fellow.
Romance is the privilege of the rich, not the profession of the unemployed. The poor should be practical and prosaic. It is better to have a permanent income than to be fascinating.
Oscar Wilde (The Model Millionaire)
He nearly called you again last night. Can you imagine that, after all this time? He can. He imagines calling you or running into you by chance. Depending on the weather, he imagines you in one of those cotton dresses of yours with flowers on it or in faded blue jeans and a thick woollen button-up cardigan over a checked shirt, drinking coffee from a mug, looking through your tortoiseshell glasses at a book of poetry while it rains. He thinks of you with your hair tied back and that characteristic sweet scent on your neck. He imagines you this way when he is on the train, in the supermarket, at his parents’ house, at night, alone, and when he is with a woman. He is wrong, though. You didn’t read poetry at all. He had wanted you to read poetry, but you didn’t. If pressed, he confesses to an imprecise recollection of what it was you read and, anyway, it wasn’t your reading that started this. It was the laughter, the carefree laughter, the three-dimensional Coca-Cola advertisement that you were, the try-anything-once friends, the imperviousness to all that came before you, the chain telephone calls, the in-jokes, the instant music, the sunlight you carried with you, the way he felt when you spoke to his parents, the introductory undergraduate courses, the inevitability of your success, the beach houses, the white lace underwear, the private dancing, the good-graced acceptance of part-time shift work, the apparent absence of expectations, the ever-changing disposable cults of the rural, the family, the eastern, the classical, the modern, the postmodern, the impoverished, the sleekly deregulated, the orgasm, the feminine, the feminist, and then the way you canceled with the air of one making a salad.
Seven Types of Ambiguity (via aeloquence)
au1hentic:

Louis C.K. (by michellezarabozo)

au1hentic:

Louis C.K. (by michellezarabozo)

Tous les hommes sont menteurs, inconstants, faux, bavards, hypocrites, orgueilleux et lâches, méprisables et sensuels; toutes les femmes sont perfides, artificieuses, vaniteuses, curieuses et dépravées; le monde n’est qu’un égout sans fond où les phoques les plus informes rampent et se tordent…


The pretty young woman living alone, must literally follow Cinderella’s habits. To be out of the house late at night or sitting up, except to study, are imprudences she can not allow herself. If she is a widow her conduct must be above criticism, but if she is young and pretty and divorced, she must literally live the life of a Puritan spinster of Salem. —Emily Post, On Etiquette

The pretty young woman living alone, must literally follow Cinderella’s habits. To be out of the house late at night or sitting up, except to study, are imprudences she can not allow herself. If she is a widow her conduct must be above criticism, but if she is young and pretty and divorced, she must literally live the life of a Puritan spinster of Salem. —Emily Post, On Etiquette

Life is painful and messed up. It gets complicated at the worst of times, and sometimes you have no idea where to go or what to do. Lots of times people just let themselves get lost, dropping into a wide open, huge abyss. But that’s why we have to keep trying. We have to push through all that hurts us, work past all our memories that are haunting us. Sometimes the things that hurt us are the things that make us strongest. A life without experience, in my opinion, is no life at all. And that’s why I tell everyone that, even when it hurts, never stop yourself from living.
Alysha Speer (via atomos)
thingsiatethatilove:

“Answer me something. Do you sort of set yourself a time to write every day? Or do you write when you feel like it. Or what.”
He sighed and said, “You really want to know? … I get up at seven and write straight through til twelve. Twelve to one I read Russian poetry  — in translation, alas. A quick lunch, then art history until three. After that it’s philosophy for an hour — nothing technical, nothing hard. Four to five: European history, 1848 and all that. Five to six: I improve my German. And from then til dinner, well, I just relax and read whatever the hell I like. Usually Shakespeare.”
I think of this part in Money whenever I hear about someone else’s writing habits.

thingsiatethatilove:

“Answer me something. Do you sort of set yourself a time to write every day? Or do you write when you feel like it. Or what.”

He sighed and said, “You really want to know? … I get up at seven and write straight through til twelve. Twelve to one I read Russian poetry  — in translation, alas. A quick lunch, then art history until three. After that it’s philosophy for an hour — nothing technical, nothing hard. Four to five: European history, 1848 and all that. Five to six: I improve my German. And from then til dinner, well, I just relax and read whatever the hell I like. Usually Shakespeare.”

I think of this part in Money whenever I hear about someone else’s writing habits.